EN

In 1082, Su Shi elegantly wrote: ‘As a migratory goose heralds autumn’s arrival, so do events vanish like spring dreams without a trace’.

Yin Zhaoyang’s landscape paintings have evolved into a phenomenon within the Chinese art scene, becoming an inescapable discourse.

My disdain for the current fascination with what’s termed ‘national studies’ runs deep.

In 2007, Yin Zhaoyang unveiled a collection of new sceneries, marking a pivotal shift in his artistic expression.